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Tag Archives: longreads

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This Is Capitalism: The Vision of Ellen Meiksins Wood

The late Ellen Meiksins Wood had a long and illustrious career teaching the history of political thought at Toronto’s York University. In light of her death earlier this year, it is fitting to recount just how much she taught us about the specificity of capitalism. Her sizable body of work not only spans the entire history of western political thought, it also thereby clairifies for us just what makes capitalism so different from the economic systems of other eras, and in doing so provides an understanding of the contemporary politico-economic reality that is a useful alternative to the perhaps more influential ‘post-Fordist’ or ‘commercialization model’ theorists such as David Harvey, Immanuel Wallerstein and others.

Wood teaches us how, in order to more fully appreciate the present moment of capitalist history, it will be necessary to distinguish ‘essence’ from ‘accident’ in capitalism…

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Ask the Pessimist

Misinspired by George Saunders’ “Ask the Optimist!”, “Ask The Pessimist” asks you to ask the pessimist…well, anything! Just don’t expect to like the answer you get…

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Football & the Death of the Hero in “56-0” by TC Boyle

Robert Downey Junior’s character Derek Lutz (in Rodney Dangerfield’s Back to School (1986)) may well have been poaching, with tongue-in-cheek, from Don DeLillo’s End Zone when he quipped that “violent ground acquisition games such as football are in fact a crypto-fascist metaphor for nuclear war,” but TC Boyle takes Lutz’s (or Delillo’s) conceit up a notch or two in “56-0”, which I jealously think is one of the most perfectly crafted stories that I have ever read. “56-0” can be found in Boyle’s Stories, but it was previously published in his 1992 collection Without a Hero, whose title is a perfectly apt controlling metaphor for the story as a whole, since, with seemingly effortless grace, Boyle has somehow managed not only to revivify one of American culture’s most clichéd of plotlines (an underdog team’s attempted, “against all odds” heroic “comeback”), but also to bring the ossified Aristotelian unities magically back to life, such that his story gains a remarkable, athletic equipoise, in which humour is locked into a dialectical deathgrip with existential gravitas. And—somehow—Boyle manages to make writing like this appear to be the most natural thing in the world….

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